Que sera sera!

marcneo: oscarwildeis-dead: genevieve-ft: Last week...

Mon, 17 Jun 2013 19:43:54 -0400

oscarwildeis-dead:

genevieve-ft:

Last week sketches !

omg they’re perfect i can’t even

Amazing! Especially the tribute one to Josephine Baker

betype: #songsInvolvingWhiskey - Alexis Reid Follow us on A...

Mon, 17 Jun 2013 19:14:46 -0400

betype:

#songsInvolvingWhiskey

- Alexis Reid

Follow us on A Certain Type

Get inspired on Betype.co

Photo

Mon, 17 Jun 2013 18:45:21 -0400

jukavo: Art in Wagons, photo transfer on glass

Mon, 17 Jun 2013 18:42:49 -0400

jukavo:

Art in Wagons, photo transfer on glass

archiemcphee: Who says graffiti writers must always use walls...

Mon, 17 Jun 2013 18:35:45 -0400

archiemcphee:

Who says graffiti writers must always use walls in order to practice their art? According to My Modern Metropolis, a technique known as CelloGraff - using large pieces of cellophane stretched between two supports, such as trees or metal poles for example, was invented by two French graffiti artists named Astro and Kanos.

“By using cellophane, no damage is done to buildings or structures, and no laws are broken. This makes street art and the freedom to creatively express oneself easier to promote in a responsible way.”

According to CelloGraff.com, back in 2006 Astro and Kanos were part of a French art collective called “Poetically Correct” along with two other artists named Reci and Xelecce:

“Together, they try to intervene in the city without any partial degradation nor dissimulation of visual signs. They turn then quickly towards Cellophane, various street stuffs to create new supports of expression.”

Web Urbanist shared a few more examples of CelloGraff artistry. The third and fourth images above show a Russian writer named Ches getting up in the middle of a snowy forest outside of Moscow.

“Suddenly, rural settings (sans buildings) are fair game – mountains and forests can become backdrops for spray-painted expression. The translucent nature of the plastic ‘canvas’ employed adds a fascinating layer of visual complexity…”

Temporary stretched plastic installations like these cab be erected just about anywhere, creating wonderful opportunities to make cities and rural areas more vibrant and colourful. Visit CelloGraff to learn and see more.

Top image: Vulture painted by Fat Heat in Budapest at “Akvárium”, 2012

[via My Modern Metropolis, Web Urbanist and CelloGraff]

musicpnppl: via

Mon, 17 Jun 2013 18:27:03 -0400

musicpnppl:

via

Photo

Mon, 17 Jun 2013 18:10:39 -0400

underneonbluesky: (source: thepinkpeonies)

Mon, 17 Jun 2013 18:03:16 -0400

underneonbluesky:

(source: thepinkpeonies)

what-id-wear: What I’d Wear : The Outfit...

Mon, 17 Jun 2013 18:02:55 -0400

what-id-wear:

What I’d Wear : The Outfit Database

(original : Viva Luxury )

Riding the fire truck.

Mon, 17 Jun 2013 10:13:44 -0400

Riding the fire truck.

He managed a 180 but couldn’t quite get a 360.

Mon, 17 Jun 2013 07:50:58 -0400

He managed a 180 but couldn’t quite get a 360.

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Sun, 16 Jun 2013 14:55:12 -0400

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Sun, 16 Jun 2013 14:52:48 -0400

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Sat, 15 Jun 2013 21:46:51 -0400

Iris, Reflection, and Luey Behind by Peter Hasselbom

Sat, 15 Jun 2013 21:20:39 -0400

Iris, Reflection, and Luey Behind by Peter Hasselbom

Photo

Sat, 15 Jun 2013 21:20:20 -0400

It’s hard to get two kids to sit still long enough for a...

Sat, 15 Jun 2013 20:41:34 -0400

It’s hard to get two kids to sit still long enough for a decent pic so I had to do some splicing.

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Sat, 15 Jun 2013 20:38:51 -0400

Little Eskimo baby.

Sat, 15 Jun 2013 20:37:40 -0400

Little Eskimo baby.

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Sat, 15 Jun 2013 20:35:57 -0400